"The Tsimshian were organized into four major crests: the Eagle, Killer Whale, Wolf and Frog or inland the Eagle, Fireweed, Wolf and Frog. These were further broken into clans, subclans, family lineages and individuals. Every individual had a slightly different rank than everyone else. Villages had families from different crests. The highest ranked individuals from the highest ranked subclans in each village were considered the leaders and the other high-ranking individuals made-up a council. Their responsibilities were both ceremonial and economic. They made important decisions such as when to leave the village to the Nass River to fish for salmon. The first salmon that was caught would be decorated and returned to the river by a ritualist. The Tsimshian maintained their status in arranged marriages. Families could show the major crest they belong to, but each family lineage had its own crest. It is important to explain that the English word for crest covers at least four meanings meant by that word in Tsimshian culture. One meaning is the dzepk (physical thing), such as the amhalait (head-dress), robe or totem on which the crest is displayed. The crest also symbolizes the family that has rights to the crest. Another meaning is the ptex (the actual animal or spirit-being or sun etc.) named by that crest. The most important meaning is the ayuks - the rights to the crest . The crest does not have to be shown on a physical thing for the rights to show the crest in different ways to exist.
Heredity was passed through the mother's side, so the children belonged to their mother's crest, but the father's crest had duties to those children. None could marry within their own major crest. The women usually went to live with their husbands, but their sons would return to her village to be educated by her brother.
The Tsimshian had both a Halait season and a Potlatch season. Halait means dance, power, spirit and sacredness. The major halait ceremony is the Naxnox (which loosely means spirit). There were the names of spirits which were also the names of houses, so naxnox names were also inherited through the mother. Adults were given Naxnox names, their previous names being known as their baby names. Naxnox names were dramatizations, usually of anti-social qualities like Proud, Slave, and Nods-All-The-Time. Those with a Naxnox name got in front of everyone and dramatized his or her name and the audience would try to guess the name. The audience usually knew, but it was a fun affair in which those of less rank could be more loose with the high-ranked. It was a time to laugh. Rank and spiritual power usually went hand-in-hand. Connected to the spiritual ceremonies were the Gitsonck. The Gitsonck were a secret group of artists that helped dramatize miracles at Halait ceremonies. They were separate from the crest artists, who were openly known. The miracles were entertaining, but also serious affairs. Gitsonck whose miracles did not were severely punished, sometimes killed - if they did not kill themselves first.
The Potlatch with the Tsimshian, as with the other NW Coast Nations, is a spiritual, economic, social, legal and educational institution. The host provides a large feast, there is singing, dancing, story-telling and gift-giving. Gift-giving occurred in order of rank and the value of gifts corresponded to the rank of the person it was for. The leaders were also responsible for keeping a surplus of food and necessities to redistribute to those in need. So the system was not purely hierarchical for the sake of status but also a rational way of assigning responsibility to a group of people for those having a hard time. That the Potlatch was a legal and educational system is seen in that it was the place where ownership of any properties was told in the family histories and (hopefully) verified after the story-telling.
The Tsimshian believe that spirits exist here and now and need to be respected. The spirits are everywhere at any moment, and they will cooperate or not depending on whether or not they are respected." 1
There are many works from the Tsimshian people in the Art collections at the University of Victoria. There are also a number of artists from this community represented in the collections. There are over two-hundred works including works from artist Danny Dennis, Terry Starr, Herber Reece and Eric Grey among many others.